1994 Grammy Award Winners |
Table of Contents Trivia
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1994 Grammy Winners |
| Record of the Year: I Will Always Love You – Whitney Houston |
| Album of the Year: The Bodyguard – Original Soundtrack Album, Whitney Houston (Arista) |
| Song of the Year: A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters |
| Best New Artist: Toni Braxton |
| Best Pop Vocal Performance, Male: If I Ever Lose My Faith in You – Sting |
| Best Pop Vocal Performance, Female: I Will Always Love You – Whitney Houston |
| Best Pop Performance By a Duo or Group With Vocal: A Whole New World (Theme From Aladdin), Peabo Bryson and Regina Belle |
| Best Traditional Pop Vocal Performance: Steppin’ Out, Tony Bennett |
| Best Pop Instrumental Performance: Barcelona Mona – Bruce Hornsby and Branford Marsalis |
| Best Rock Gospel Album: Free at Last, DC Talk (ForeFront) |
| Best Rock Song: Runaway Train – David Pirner, songwriter |
| Best Rock Vocal Performance, Solo: I’d Do Anything for Love (But I Won’t Do That), Meat Loaf |
| Best Rock Performance By a Duo or Group With Vocal: Livin’ on the Edge – Aerosmith |
| Best Rock Instrumental Performance: Sofa – Zappa’s Universe Rock Group Featuring Steve Vai |
| Best Hard Rock Performance With Vocal: Plush – Stone Temple Pilots |
| Best Metal Performance With Vocal: I Don’t Want to Change the World – Ozzy Osbourne |
| Best Alternative Music Album: Zooropa, U2 (Island) |
| Best Rhythm and Blues Song: That’s the Way Love Goes – Janet Jackson, James Harris III and Terry Lewis, songwriters |
| Best Rhythm and Blues Vocal Performance, Male: A Song for You – Ray Charles |
| Best Rhythm and Blues Vocal Performance, Female: Another Sad Love Song – Toni Braxton |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal: No Ordinary Love – Sade |
| Best Rap Solo Performance: Let Me Ride – Dr. Dre |
| Best Rap Performance By a Duo or Group: Rebirth of Slick (Cool Like Dat), Digable Planets |
| Best Jazz Vocal Performance: Take a Look, Natalie Cole |
| Best Jazz Instrumental Solo: Miles Ahead – Joe Henderson |
| Best Jazz Instrumental Performance, Individual or Group: So Near, So Far (Musings for Miles), Joe Henderson |
| Best Contemporary Jazz Performance (Instrumental): The Road to You, Pat Metheny Group |
| Best Large Jazz Ensemble Performance: Miles and Quincy Live at Montreux, Miles Davis and Quincy Jones |
| Best Country Song: Passionate Kisses – Lucinda Williams, songwriter |
| Best Country Vocal Performance, Male: Ain’t That Lonely Yet – Dwight Yoakam |
| Best Country Vocal Performance, Female : Passionate Kisses – Mary Chapin Carpenter |
| Best Country Performance By a Duo or Group With Vocal: Hard Workin’ Man – Brooks and Dunn |
| Best Country Vocal Collaboration: Does He Love You – Reba McEntire and Linda Davis |
| Best Country Instrumental Performance: Red Wing – Asleep at the Wheel featuring Eldon Shamblin, Johnny Gimble, Chet Atkins, Vince Gill, Marty Stuart and Reuben Lucky Orleans Gosfield |
| Best Bluegrass Album: Waitin’ for the Hard Times to Go, Nashville Bluegrass Band (Sugar Hill) |
| Best Traditional Soul Gospel Album: Stand Still, Shirley Caesar (Word Record and Music) |
| Best Contemporary Soul Gospel Album: All Out, Winans (Qwest/Warner Alliance) |
| Best Pop/Contemporary Gospel Album: The Live Adventure, Steven Curtis Chapman (Sparrow) |
| Best Southern Gospel, Country Gospel or Bluegrass Gospel Album: Good News, Kathy Mattea (Mercury) |
| Best Gospel Album By a Choir or Chorus: Live… We Come Rejoicing, Brooklyn Tabernacle Choir; Carol Cymbala, choir director (Warner Alliance) |
| Best Latin Pop Album: Aries, Luis Miguel (WEA Latina) |
| Best Tropical Latin Album: Mi Tierra, Gloria Estefan (Epic) |
| Best Mexican/American Album: Live, Selena (Capitol/EMI Latin) |
| Best Traditional Blues Album: Blues Summit, B.B. King (MCA) |
| Best Contemporary Blues Album: Feels Like Rain, Buddy Guy (Silvertone) |
| Best Traditional Folk Album: The Celtic Harp, Chieftains (RCA Victor) |
| Best Contemporary Folk Album: Other Voices/Other Rooms, Nanci Griffith (Elektra) |
| Best Reggae Album: Bad Boys, Inner Circle (Big Beat/Atlantic) |
| Best New Age Album: Spanish Angel, Paul Winter Consort (Living Music) |
| Best World Music Album: A Meeting by the River, Ry Cooder and V.M. Bhatt (Walter Lily Acoustics) |
| Best Polka Album: Accordionally Yours, Walter Ostanek and His Band (WRS) |
| Best Arrangement on an Instrumental: Mood Indigo – Dave Grusin, arranger |
| Best Instrumental Arrangement Accompanying Vocal(s): When I Fall in Love – Jeremy Lubbock and David Foster, arrangers |
| Best Instrumental Composition: Forever in Love – Kenny G, composer |
| Best Musical Show Album: The Who’s Tommy – Original Cast Recording, original cast (RCA Victor) |
| Best Instrumental Composition Written for a Motion Picture or for Television: Aladdin, Alan Menken, composer |
| Best Song Written for a Motion Picture or for Television: A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters |
| Best Contemporary Composition: Violin Concerto, Elliott Carter, composer |
| Best Classical Album: Bartók, The Wooden Prince and Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; John Aler, tenor; John Tomlinson, baritone (Deutsche Grammophon) |
| Best Chamber Music Performance: Ives, String Quartets nos. 1 and 2; Barber String Quartet Op. 11 (American Originals), Emerson String Quartet |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra): Berg, Violin Concerto; Rihm, Time Chant, Anne-Sophie Mutter, violinist; James Levine conducting Chicago Symphony Orchestra |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): Barber, The Complete Solo Piano Music, John Browning, pianist |
| Best Orchestral Performance: Bartók, The Wooden Prince, Pierre Boulez conducting Chicago Symphony |
| Best Opera Recording: Handel, Semele, John Nelson conducting English Chamber Orchestra and Ambrosian Opera Chorus; solos: Battle, Horne, Ramey, Aler, McNair, Chance, Mackie and Doss (Deutsche Grammophon) |
| Best Performance of a Choral Work: Bartók, Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; Margaret Hillis, choral director |
| Best Classical Vocal Performance: The Art of Arleen Auger (Works of Larsen, Purcell, Schumann, Mozart), Arleen Auger, soprano; Joel Revzen, accompanist |
| Best Spoken Comedy Album: Jammin’ in New York, George Carlin (Eardrum/Atlantic) |
| Best Spoken Word or Non-Musical Album: On the Pulse of Morning, Maya Angelou (Random House Audio Books) |
| Best Musical Album for Children: Aladdin (Original Motion Picture Soundtrack), various artists (Walt Disney Records) |
| Best Spoken Word Album for Children: Audrey Hepburn’s Enchanted Tales, Audrey Hepburn (Dove Audio) |
| Best Recording Package: The Complete Billie Holiday on Verve 1945 – 1959, David Lau, art director (Verve) |
| Best Album Notes: The Complete Billie Holiday on Verve 1945 – 1959, Buck Clayton, Phil Schaap and Joel E. Siegel, annotators (Verve) |
| Best Historical Album: The Complete Billie Holiday on Verve 1945 – 1959, Billie Holiday (Verve) |
| Best Music Video, Short Form: Steam – Peter Gabriel |
| Best Music Video, Long Form: Ten Summoner’s Tales – Sting |
| Producer of the Year (Non-Classical): David Foster |
| Classical Producer of the Year: Judith Sherman |